Chaim Gross
Velvet Foundation for the Arts preserves an extensive and historically significant group of works by Chaim Gross (1904–1991), a leading figure in twentieth-century American sculpture and draftsmanship. Gross is celebrated for his expressive line, dynamic compositions, and lifelong fascination with the human body in motion—qualities that define the breadth of this collection.
The VLAF Chaim Gross Collection encompasses sculptures, watercolors, pen-and-ink drawings, preliminary studies, and compositional sketches, many of which are documented in the Foundation’s curatorial catalogue. These works span multiple decades and illustrate Gross’s evolving approach to gesture, rhythm, balance, and form. Subjects include acrobats, dancers, family groupings, mother-and-child themes, stacked figures, reclining figures, and sculptural studies that directly connect to his major carved and cast works.
Together, these pieces reveal both the immediacy of Gross’s hand and the architectural thinking underlying his sculpture. From fluid linear drawings to richly modeled three-dimensional works, the collection offers unique insight into the artist’s creative process and figurative vocabulary.
By preserving this body of work as a coherent whole, VLAF supports scholarship, future exhibitions, educational initiatives, and the continued visibility of Gross’s artistic legacy, ensuring that his contributions to American art remain accessible to researchers, institutions, and the public.
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Chaim Gross — Seated Woman
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Chaim Gross — Standing Ballerina
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Chaim Gross — Head of a Woman
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Chaim Gross — Plein-Air Painters, Provincetown 1948
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Chaim Gross — Standing Woman in Motion (Colored Pastel Study)
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Chaim Gross — Charcoal Studies for Acrobatic Figures
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Chaim Gross — Acrobat Study (Stacked Figures)
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Chaim Gross — Study for Ballerina Sculpture
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Chaim Gross — Acrobatic Study with Two Figures (1949)
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Chaim Gross — Study for Acrobats (1948)
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Chaim Gross — Study for Two figures (1949)
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Chaim Gross — Additional Study for Two Acrobats (1949)
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